Margot Robbie, Diego Calva, and even Brad Pitt cannot save Babylon from its own excess. Read on for our spoiler-free review.

Ladies and gents, it's the moment you've waited for: The Greatest Showman! Despite what critics claimed, this is far from a Bad Movie...

The Apology is riveting as a mother finally learns the truth about her missing daughter, led by a powerhouse performance from Anna Gunn.

This is a film meant for those of us who know Die Hard is a damn Christmas movie, as well as for those who blindly say it’s not. Violent Night is a kick-to-the-face holiday classic in the making, with David Harbour saving Christmas all by himself.

Once again it's time to look at a movie that fans or critics deem a "Bad Movie", but we think might not be. This month, it's How the Grinch Stole Christmas!

Daniel Craig returns to lead an all-star cast in Rian Johnson's Knives Out sequel, Glass Onion. Read on for our spoiler-free review.

Letitia Wright and Angela Bassett elevate an overstuffed screenplay to deliver a moving tribute to Chadwick Boseman in Black Panther: Wakanda Forever.

Eva Green is the fire that lights Nocebo, insanely shaking a rather average story to life with sheer talent and will. Read on for our spoiler-free review of Nocebo.

Listen to this month's Bad Movie Night as we break down Gerard Butler's third turn as Mike Banning in Angel Has Fallen!

Director David Gordon Green takes a Sam Raimi-level swing at the Halloween franchise, focusing more on survivors than piling up victims.

Lost Cos is a pulse-pounding thriller which pulls the curtain back on a vastly unappreciated culture of diversity and empowerment.

Say it with us: Evil dies tonight! For this edition of The Hollywood Outsider Presents: Bad Movie Night, we dive into Halloween Kills.

Despite some pacing issues, Josh Duhamel brings a mischievously clever and elusive bandit to life in a twisty game of cat-and-mouse.

Thandiwe Newton does everything she can to raise the film to something truly memorable, and though entertaining enough, God's Country never quite finds its stride.

Kevin Smith completes his ode to essential workers with a complete 360 back to where he started, filled with laughs, obscenities, weed, personal reflection, and a surprisingly hefty amount of heart.