Bottom line: if you're already a Jason Statham fan, you'll have a good time with Mutiny. If you're not, this isn't the movie that's going to convert you.

With a terrific cast, an imaginative premise, and enough whimsy and mayhem to win over even skeptical viewers, The End of Oak Street feels like a movie from another era in the best possible way.

Alan Ritchson returns for Season 4 of Prime's Reacher, and this time Jack Reacher has his hands full. Read on for our review.

Eli Roth amps up the gore and throws away the script in his latest horror opus, Ice Cream Man. Read on for our spoiler-free review.

Tom Holland has arrived at his first truly solo superhero adventure in Spider-Man: Brand New Day, which is easily the best film of the summer.

Christopher Nolan's The Odyssey does Homer's work justice, despite a few missteps along the path. Read on for our spoiler-free review.

Evil Dead Burn continues the tradition of independent filmmakers making their own mark on a storied franchise, with thrills and gore galore.

Supergirl is the latest DC hero to join Superman on the big screen in James Gunn's reimagined universe. Read on for our spoiler-free review

Steven Spielberg returns to aliens and conspiracies with Disclosure Day to mixed results despite the force of Emily Blunt.

Masters of the Universe is a surprisingly on-point modern-day take on the cheeky 80s franchise. Read on for our spoiler-free review.

Nate Bargatze heads into movie star territory with The Breadwinner, which ultimately coasts on charm over story.

The Mandalorian and Grogu goes back to basics in a simplistic story that reminds audiences it's ok to have a great time with Star Wars.

Mortal Kombat II adds Karl Urban and we finally arrive at a tournament, but is it a fatality? Read in for our review.

A violent, surreal descent into chaos, They Will Kill You blends relentless gore with shifting reality to explore control, perception, and the instability of power.

Sender benefits from a charged leading performance from Britt Lower, unfortunately the film suffocates under the weight of its search of an identity.